Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Classical hunting fox, Equestrian and Beautiful Horses, 202.

ID: 46174

unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 202.
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unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 202.


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 236. | Triptych with Scenes from the Life of Christ | Classical hunting fox, Equestrian and Beautiful Horses, 063. | Arab or Arabic people and life. Orientalism oil paintings 67 | A fete champetre |
Related Artists:
Abu l Faraj al Isfahani
Tenth century
Carlo Ceresa
Carlo Ceresa (January 20, 1609 - January 29, 1679) was an Italian painter of the Baroque period active mainly around Bergamo. His early life and training are poorly recorded. He likely trained in Bergamo. He visited Venice, yet esconced himself in the small town of San Giovanni Bianco in Val Bembrana. Mostly recalled for his portraiture, Ceresa also painted altarpieces and religious works in an understated fashion.
Charles Landelle
1812-1908 French painter. His father, a calligrapher and musician from Mayenne, moved to Paris in 1825 to take up a post as musician in the Tuileries. Ary Scheffer, whom Landelle met through his father's contact with the Orleans court, encouraged him to become a painter. He registered at the Ecole des Beaux-Arts on 2 October 1837 as a pupil of Paul Delaroche and made his debut at the Salon in 1841 with a Self-portrait (Laval, Mus. Vieux-Cheteau). His first success, Fra Angelico asking God for Inspiration , indicated a sentimental, religious tendency in his work, which alternated with pretty pictures of young girls. Charity. commissioned by Antoine Vivenel (1799-1862), was followed by Idyll and Elegy (untraced), which were bought by the dealer Adolphe Goupil on the opening day of the 1844 Salon. The contract to buy also included Goupil's right of first refusal on the reproduction of all Landelle's future work. Subsequently, he painted the Three Marys at the Tomb in the pious manner of Ary Scheffer and a sweet, angelic St Cecilia, commissioned in 1845 by the Prefect of the Seine, in which elements of the early Renaissance art seen by Landelle on a trip to Italy in 1845 combined with the soft, pale style common among some of his colleagues from the studio of Delaroche. He also painted religious works for St Roch (1850), St Germain l'Auxerrois (1856) and St Sulpice (1875) churches in Paris.






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